Danish photographer Thilde Jensen came to New York City in 1997. Six years later her life and career was cut short by a sudden development of severe Multiple Chemical Sensitivities (MCS). The urban life she had previously navigated with ease transformed into a toxic war zone. Her immune system crashed, forcing her unto a survivalistic journey, unravelling the comfort and construct of her previous life. The ensuing years were a lesson in basic survival – camping in the woods, while wearing a respirator when entering supermarkets, doctors’ offices, and banks. To her surprise an otherwise invisible subculture of people emerged who shared this isolated existence. Her photographs are a personal account of life on the edge of modern civilization as one of the human canaries, the first casualties to a ubiquitous synthetic chemical culture.
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